Richard Brake will never catch a break. Forever be confined to do the creepy cringe character in horror. There may be a sliver of hope of him doing a rom-com or something else to break him from the typecast, but for now he’s has the perfect moves and looks for characters in films that seems to keep bodies in the basement. “Pinocchio Unstrung” is such a film. To my knowledge the first movie that gives him the lead title.  The film benefits greatly for having him play Geppetto in a twisted, unapologetic version of the classic fairy tale.  He’s the right man for this kind of job.

The film is light on story and heavy on the gnarly gore. The kills scenes are over the top, wildly creative and will give pause to even the most seasoned horror fan. The puppetry and special effects are wonderfully executed. It is refreshing to see practicality make it way steadily back.  There is a touch of Tim Burton production inspiration throughout not necessarily lifted or sampled.  And of course, Chucky too.  It’s only weakness is It seems the story was a vessel for the artistry of puppetry and gore-horror. Although what was most effective in the film is the sound mixing and editing.  A masterstroke from the sound department. The noise of the gore is sometimes more useful than the visual, even though you get the visual.   

There is also a self-awareness to the film. It’s laced with comedic hits and lines that do sometimes laugh while watching blood and gut fly.  The film never takes itself seriously and why should it. It knows it is a B-movie indie slasher and that makes the experience worthwhile. It goes fast and keeps that velocity which should be admired. 

“Pinocchio Unstrung” is there to shock and gore-ify you and if you are into that it is worth a peak to see with a group of like minded.  It’s fast-food gore-horror which doesn’t excuse poor writing.  Repeated viewing is not necessary but it will remain unforgettable.   But sometimes that is just enough.  7/10